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Amazing Grace : Aretha Franklin’s holy grail gospel concert film, directed by Sydney Pollack in the early 1970s, finally sees the shining light of day
Film Comment( January - February 2019 )
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Manny Farber Returns : A never-before-transcribed talk from the legendary critic-painter addresses the important business of not treating movies like a business
Film Comment( January - February 2019 )
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Triumph of the Will : Who is truly responsible for elevating Leni Riefenstahl’s infamous paean to Hitler into the realm of essential cinema?
Film Comment( January - February 2019 )
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Republic Pictures : The A-house of the B-movies, the legendary Hollywood studio became its own realm of Americana and cut-to-the-chase satisfaction
Film Comment( January - February 2019 )
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The End: The Films of 2018 : The best films of the year, with arguments for each by the magazine’s contributors
Film Comment( January - February 2019 )
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La Flor : There are so many entry points to Argentine filmmaker Mariano Llinلs’s festival-rocking, serially adventurous epic, but here are four to start
Film Comment( January - February 2019 )