Protecting art in the street : A photographic guide to copyright in street art and graffiti / Enrico Bonadio
عدد النسخ:
1
عدد النسخ المعارة :
0
عدد النسخ المتاحة للاعارة :
1
رقم التسجيلة | 8557 |
نوع المادة | book |
ردمك | 9789188369352 |
رقم الطلب |
K 1460 .B66 |
المؤلف | Bonadio, Enrico |
العنوان | Protecting art in the street : A photographic guide to copyright in street art and graffiti / Enrico Bonadio |
بيان الطبعة | Ed. 1 |
بيانات النشر | Årsta, Sweden: Dokument Press, 2020. |
الوصف المادي | 67 P |
المحتويات / النص |
Foreword Introduction 1. Originality of Street and Graffiti 2. Originality of Tags and Throw-ups 3. Originality of Street Messages 4. Sketches 5. Ephemerality 6. Photographs and Videos 7. Collaborations 8. Commissioned 9. Copyright Notice 10. Preventing Destruction? 11. Preventing De-contextualisation? 12. Sharing and Appropriation 13. Anti-Establishment 14. Merchandising 15. art Market 16. Social Use |
المستخلص |
There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists' authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye. Protecting Art in the Street aims at guiding artists through a short journey into copyright issues of street art and graffiti. By using words and images, this book tries to give short answers to some basic legal questions that street artists and graffiti writers often ask.
|
المواضيع | Copyright - ArtStreet art - Law and legislationGraffiti - United States - HistoryCopyright |
LDR | 00115cam a22002053a 4500 |
020 | |a 9789188369352 |
050 | |a K 1460 .B66 |
100 | |a Bonadio, Enrico |
245 | |a Protecting art in the street : A photographic guide to copyright in street art and graffiti / |c Enrico Bonadio |
250 | |a Ed. 1 |
260 | |a Årsta, Sweden |b Dokument Press, |c 2020 |
300 | |a 67 P. |
505 |
|a Foreword Introduction 1. Originality of Street and Graffiti 2. Originality of Tags and Throw-ups 3. Originality of Street Messages 4. Sketches 5. Ephemerality 6. Photographs and Videos 7. Collaborations 8. Commissioned 9. Copyright Notice 10. Preventing Destruction? 11. Preventing De-contextualisation? 12. Sharing and Appropriation 13. Anti-Establishment 14. Merchandising 15. art Market 16. Social Use |
520 |
|a There has recently been a sharp increase in cases where corporations have been sued by street and graffiti artists because their artworks had been used and exploited without the artists' authorisation, for example in advertising campaigns, as backdrops in promotional videos, or as decorating elements of products. This trend shows and confirms that these forms of art are vulnerable. They are actually more exposed to unauthorised exploitation (and destruction as well) than works of fine art, because they are placed in the public eye. Protecting Art in the Street aims at guiding artists through a short journey into copyright issues of street art and graffiti. By using words and images, this book tries to give short answers to some basic legal questions that street artists and graffiti writers often ask.
|
600 | |a Graffiti |
600 | |a Copyright |
600 | |a Copyright - Art |
600 | |a Street art - Law and legislation |
910 | |a libsys:recno,8557 |
العنوان | الوصف | النص |
---|