Mise en scene and film style : from classical Hollywood to new media art : from classical Hollywood to new media art / Adrian Martin, Monash University, Australia
| رقم التسجيلة | 6665 |
| نوع المادة | book |
| ردمك | 9781137269942 |
| رقم الطلب |
PN1995.9.P7M335 |
| المؤلف | Martin, Adrian |
| العنوان | Mise en scene and film style : from classical Hollywood to new media art : from classical Hollywood to new media art / Adrian Martin, Monash University, Australia |
| بيان الطبعة | 1st edition |
| بيانات النشر | New York: Palgrave Macmillan, 2014. |
| الوصف المادي | xviii, 235. p ; illustrations |
| ملاحظات |
Includes bibliographical references (pages 217-225) and index |
| المحتويات / النص |
List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scène? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scène 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography |
| المستخلص |
Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples. |
| المواضيع | Motion pictures - Production and directionMass media - Technological innovations |
| LDR | 00110cam a22001933a 4500 |
| 020 | |a 9781137269942 |
| 050 | |a PN1995.9.P7M335 |
| 100 | |a Martin, Adrian |
| 245 | |a Mise en scene and film style : from classical Hollywood to new media art : |b from classical Hollywood to new media art / |c Adrian Martin, Monash University, Australia |
| 250 | |a 1st edition |
| 260 | |a New York |b Palgrave Macmillan, |c 2014 |
| 300 | |a xviii, 235. p: |b illustrations |
| 500 | |a Includes bibliographical references (pages 217-225) and index |
| 505 | |a List of Figures Acknowledgements Prologue: At the Ballet Ruse 1. A Term That Means Everything, and Nothing Very Specific 2. Aesthetic Economies: The Expressive and the Excessive 3. What Was Mise en scène? 4. The Crises (1): Squeezed and Stretched 5. The Crises (2): The Style It Takes 6. Sonic Spaces 7. A Detour via Reality: Social Mise en scène 8. Cinema, Audiovisual Art of the 21st Century 9. The Rise of the Dispositif Epilogue: Five Minutes and 15 Seconds with Ritwik Ghatak Notes Bibliography |
| 520 | |a Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples. |
| 650 | |a Mass media - Technological innovations |
| 650 | |a Motion pictures - Production and direction |
| 910 | |a libsys:recno,6665 |
| العنوان | الوصف | النص |
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