Film studies : an introduction / Ed Sikov
رقم التسجيلة | 6649 |
نوع المادة | book |
ردمك | 9780231142922 |
رقم الطلب |
PN1994.S535 |
المؤلف | Sikov, Ed |
العنوان | Film studies : an introduction / Ed Sikov |
بيانات النشر | New York: Columbia University Press, 2010. |
الوصف المادي | xiii, 212 p ; ill |
ملاحظات |
Includes index |
المحتويات / النص |
REPRESENTATION AND REALITY The Shot Space and Time on Film CAMERA MOVEMENT Space and Movement Super 8 to 70mm to Video Transitions Continuity Editing Character Desire and Conflict Form STORY ANALYSIS AND SEGMENTATION WRITING ABOUT WRITING WRITING ABOUT DIRECTORS TEN GENRE ELEVEN SPECIAL EFFECTS GLOSSARY WRITING ABOUT EDITING Analytical Categories of Film Sound FROM SCENE TO SCENE ACKNOWLEDGMENTS |
المستخلص |
Ed Sikov builds a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. Sikov primes the eye and mind in the special techniques of film analysis. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. Film Studies works with any screening list and can be used within courses on film history, film theory, or popular culture. Straightforward explanations of core critical concepts, practical advice, and suggested assignments on particular technical, visual, and aesthetic aspects further anchor the reader's understanding of the formal language and anatomy of film. |
المواضيع | Motion pictures |
LDR | 00100cam a22001693a 4500 |
020 | |a 9780231142922 |
050 | |a PN1994.S535 |
100 | |a Sikov, Ed |
245 | |a Film studies : an introduction / |c Ed Sikov |
260 | |a New York |b Columbia University Press, |c 2010 |
300 | |a xiii, 212 p.: |b ill. |
500 | |a Includes index |
505 | |a REPRESENTATION AND REALITY The Shot Space and Time on Film CAMERA MOVEMENT Space and Movement Super 8 to 70mm to Video Transitions Continuity Editing Character Desire and Conflict Form STORY ANALYSIS AND SEGMENTATION WRITING ABOUT WRITING WRITING ABOUT DIRECTORS TEN GENRE ELEVEN SPECIAL EFFECTS GLOSSARY WRITING ABOUT EDITING Analytical Categories of Film Sound FROM SCENE TO SCENE ACKNOWLEDGMENTS |
520 | |a Ed Sikov builds a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. Sikov primes the eye and mind in the special techniques of film analysis. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. Film Studies works with any screening list and can be used within courses on film history, film theory, or popular culture. Straightforward explanations of core critical concepts, practical advice, and suggested assignments on particular technical, visual, and aesthetic aspects further anchor the reader's understanding of the formal language and anatomy of film. |
650 | |a Motion pictures |
910 | |a libsys:recno,6649 |
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