Acknowledgements
Introduction: Revisiting the Avant-Garde
Timeline
Section One: Creating the Field
Manifesto of Futurism
F. T. Marinetti | 1909
Who We Are: Manifesto of the Constructivist Group
Aleksandr Rodchenko, Varvara Stepanova, and Aleksei Gan | 1922
Our Book
El Lissitzky | c. 1926
Typophoto
L¿szl¿ Moholy-Nagy | 1925
The New Typography
Jan Tschichold | 1928
The Crystal Goblet, or Why Printing Should be Invisible
Beatrice Warde | 1930
On Typography
Herbert Bayer | 1967
Theory at Work
Futurism
Constructivism
The Bauhaus/New Typography
Section Two: Building on Success
Designing Programmes
Karl Gerstner | 1964
Grid and Design Philosophy
Josef M¿ller-Brockmann | 1981
Good Design Is Goodwill
Paul Rand | 1987
Learning from Las Vegas: The forgotten Symbolism of Architectural Form
Robert Venturi, Denise Scott Brown, and Steven Izenour | 1977
My Way to Typography
Wolfgang Weingart | 2000
Typography as Discourse
Katherine McCoy with David Frej| 1988
The End of Print: The Graphic Design of David Carson
Lewis Blackwell and David Carson | 2000
The Dark in the Middle of the Stairs
Paula Scher | 1989
Theory at Work
International Style
Modernism in America
New Wave/Postmodern
Section Three: Mapping the Future
The Macram¿ of Resistance
Lorraine Wild | 1998
Design and Reflexivity
Jan van Toorn | 1994
Design Anarchy
Kalle Lasn | 2006
The Designer as Author
Michael Rock | 1996
Designing Our Own Graves
Dmitri Siegel | 2007
Dematerialization of Screen Space
Jessica Helfand | 2001
Computer Technology and Design
Kenya Hara | 2007
Import/Export, or Design Workflow and Contemporary Aesthetics
Lev Manovich | 2006
Univers Strikes Back
Ellen and Julia Lupton | 2007
Theory at Work
Contemporary Design
Appendix
Glossary
Bibliography
Index