رقم التسجيلة
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6640
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نوع المادة
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book
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ردمك
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9781138946088
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رقم الطلب
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TR899.P42
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المؤلف
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Pearlman, Karen
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العنوان
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Cutting rhythms : intuitive film editing : intuitive film editing / Karen Pearlman
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بيان الطبعة
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2. ed
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بيانات النشر
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New York: Focal Press Taylor & Francis Group, 2016.
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الوصف المادي
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xv, 264 .p
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ملاحظات
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Includes index
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المحتويات / النص
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- CHAPTER 1 Rhythmic Intuition
Intuitive Thinking
Perceiving Rhythm
Actively Perceiving Rhythms
Perceiving Rhythm in the Rushes or Dailies
Mirroring Rhythm
Being Rhythm
Thinking Rhythmically
Endnotes
- CHAPTER 2 Editing as Choreography
Shifting the Discussion from Music to
Movement
Pulse
Movement Phrases
Phrasing Considerations
Endnotes
-CHAPTER 3 Timing, Pacing, and Trajectory Phrasing.
Timing
Pacing
Trajectory Phrasing
Endnotes
- CHAPTER 4 Tension, Release, and Synchronization.
Tension and Release
Synchronization
Case Study in Tension, Release, and Synchronization:
Broadcast News
Endnotes
- CHAPTER 5 Physical, Emotional, and Event Rhythms
Three Kinds of Movement
Endnotes
- CHAPTER 6 Physical Rhythm
Rechoreographing
Physical Storytelling
Dancing Edits
Singing the Rhythm
Case Study: “Now” Scene from Thursday’s Fictions
Endnotes
- CHAPTER 7 Emotional Rhythm
Prepare, Action, Rest
The Actor’s Actions
Beats
Case Study: The Hours
Endnotes
- CHAPTER 8 Event Rhythm
Shaping the Rhythm of Events
Creating Structure and Rhythm Simultaneously
Reintegrating Rhythms
Case Study: The Godfather
Case Study: Goodfellas
Endnotes
- CHAPTER 9 Style
Montage
Decoupage
Points along the Spectrum from Montage to Decoupage
Collision
Linkage
Points along the Spectrum from Collision to Linkage
Style Case Studies
Contemporary Style: After the New Wave
Conclusion
Endnotes
- CHAPTER 10 Devices
Parallel Action
Parallel Action Case Studies
Slow Motion
Slow Motion Case Studies
Fast Motion
Two Quick Fast Motion Case Studies
Mixed Motions and Speed Ramping
Endnotes
- CHAPTER 11 Common Scenes
Two-handers
Two-hander Case Studies
Summary—Two-handers
Chases
Chase Case Studies
Summary—Chases
Endnotes
- CHAPTER 12 Conclusion
Endnotes
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المستخلص
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There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions.
Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:
New chapters on collaboration and "editing thinking";
Advice on making onscreen drafts before finalizing your story
Tips on how to create and sustain audience empathy and engagement;
Explanations of how rhythm is perceived, learned, practiced and applied in editing;
Updated discussions of intuition, structure and dynamics;
An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book
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المواضيع
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Motion pictures - Philosophy - EncyclopediasMotion picture plays - EditingRhythm
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