رقم التسجيلة
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3588
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نوع المادة
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book
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ردمك
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9780881338522
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رقم الطلب
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ML446.G38
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المؤلف
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Gauldin, Robert
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العنوان
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A Practical Approach to sixteenth century counterpoint
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بيانات النشر
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Illinois: Waveland Press,Inc, 1995.
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الوصف المادي
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312. P
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المحتويات / النص
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1- Preliminary remarks
2- Melodic writing with white notes
3- Two- Voice texture with white notes
4- Melodic writing with black notes
5- Two-voice texture with black
6- Other aspects of two- voice texture
7- Examples of two- voice compositions for analysis
8- Three- voice texture with white notes
9- Cadences in three- voices testure, other white - note dissonance
10- Black notes in three-voice texture, imitation and reentries
11- Paraphrase technique, further studies in Canon
12- Examples of three- voice compositions for analysis
13- General Considerations of four - voice texture, Familiar style
14- Imitation and reentry in four- voice texture, Cantus firmus technique
15- Examples of four - voice compositions for analysis
16- Aspects of five & six - voice texture, triple meter
17- The motet, parody technique
18- Examples of five-and six- voice compositions for analysis
19- Eight - voice texture, polychoral style
20- Examples of eight- voice compositions for analysis
21- Additional harmonic devices in the late sixteenth century
22- Extebnded musica ficta and charomaticism
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المستخلص
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Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a ?non-species or direct? approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
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المواضيع
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Counterpoint - 16th centuryCounterpoint - History -16th century
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